Fashion in Ghana has a long history, deeply influenced by the country's culture, traditions, and modern social changes. Ghanaian fashion styles range from the smallest thread to printed patterned designs, spanning across all economical classes. Kente, mudcloth, Ankara and imported foreign fabrics are some of the most popularly used fabrics in Ghana especially for ceremonious experiences. 

During British colonization in the 19th and early 20th centuries, Western styles began to infiltrate Ghanaian fashion. Traditional clothing coexisted with Western garments, leading to a fusion of styles. Traditionally, African cultures emphasized resourcefulness and sustainability. However, the influx of cheap, fast fashion in the late 20th century disrupted these practices.

A new generation of Ghanaian designers and brands, such as The T.N. Collection and Kwaku Bediako of "Chocolate By Kwaku Bediako," Free The Youth and Complex Department are at the forefront of the streetwear scene in today’s scene. They creatively reinterpret streetwear aesthetics, making them uniquely Ghanaian and paying homage to multicultural styles through authentic African expression. Designers like Kofi Ansah and Osei-Duro have gained international recognition, and there is a growing interest in sustainable fashion.

The rise of fast fashion brands led to an increase in textile imports, contributing to waste as consumers disposed of garments after minimal use. This trend has created a culture of disposability, contrasting sharply with previous practices of mending and repurposing clothing. Textile waste in Africa has become a significant concern, reflecting broader global issues related to sustainability and environmental impact. Fashion pollution in Ghana is a growing concern, stemming from the impacts of the fast fashion industry and textile waste. 

Ghana imports a substantial amount of secondhand clothing, often referred to as "obroni wawu." While this provides affordable clothing options, it leads to significant waste issues, with many items ending up in landfills or being discarded improperly. 

Many discarded clothes end up in landfills or are incinerated, causing environmental degradation. Some waste is exported to African countries, where it can overwhelm local markets and disrupt traditional clothing production. In response, various initiatives have emerged to address fashion waste. Many designers and organizations focus on recycling materials, promoting upcycling, and creating awareness about sustainable practices.

 Some communities are revitalizing traditional textile practices, using waste materials creatively in fashion and art. This approach not only mitigates waste but also celebrates cultural heritage. In response to these issues, various organizations and designers in Ghana are advocating for sustainable practices. This includes promoting the use of locally sourced materials, upcycling old garments, and raising awareness about the environmental impact of fashion.

 This shift affects local economies and diminishes traditional practices.

Overall, Ghanaian fashion reflects a dynamic interplay between tradition and modernity, with a strong emphasis on cultural identity and Western influence. While fashion waste poses significant challenges, there are ongoing efforts across Africa to foster sustainability and creativity in the fashion industry. 

Fashion shows and events, such as Accra Fashion Week, have provided platforms for young, innovative designers to showcase their work. These events celebrate creativity and foster a sense of community among young fashion enthusiasts while drawing attention from international brands across the world. One of the significant ways to combat fashion waste is to develop a plan with the second hand clothing market vendors in Ghana because the average person struggles to purchase second hand clothing and can affect consumers as well as sellers. There’s also campaigns to push the government to invest into fabric manufacturing for Kente and printed patterned designs considering most printed African fabric is European or Chinese owned. Lastly, activists are pushing for corporations to contribute reparations to Ghana’s trade industry given the history of colonialism that continues to drain resources for Africans to build economic systems for themselves.